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NewBlueFX TotalFX7 7 210922 Win - Newblue titler pro 6 manual free
There is so much to the software that anything less than a treatise feels inadequate. So, about four pages into my review, I stopped.
Until this morning, when it occurred to me that my job here is not to explain every feature, or show every possible effect in detail, but, instead to tell you about the software, explain what makes it unique and encourage you to try it for yourself.
Click to see image full-size. The first thing you need to know about Titler Pro 5, from NewBlue, is that it creates titles that move … in all directions and dimensions. Everything you build is on a timeline and all text can be displayed in 3D, with significant control over styling and animation. The second thing you need to know is that, like opening After Effects for the first time, it is easy to get overwhelmed. The third thing you need to know is that this titler can create animated titles for all NLEs.
If you need to create animated titles that can be used just about everywhere, with a depth of features not found in any titling package included with your video editing software, you need to consider Titler Pro 5 from NewBlue. Website: www. Based in San Diego, CA, and privately held, NewBlue entered the market in with its NewBlueFX line of video special effects for video editing, which quickly became the fastest growing in its market. It is far easier modifying a template than creating something sophisticated from scratch.
Templates — and there are more than of them — are bundled into collections, including:. The fact that there are as many collections and templates as there are is a tribute to how flexible the software is.
Not knowing what Titler Pro means by a word slows down the learning process. Creating a title from a template is easy. In the Library, open the Project Templates folder, then open a Template folder. From inside the template folder, choose a title you want to use. When you find a title you like, double-click it to load it into the Timeline. Note how templates automatically include animation. The best thing to do is to visit the NewBlueFX website and watch some of their many tutorials to get a sense of what this package can do.
A more complete list of features can be found here. As I worked with this package, I realized that templates are the key to success. Watch how someone more experienced with the software created a title, then modify it. The worst thing you can do is to start the application and try to create something from scratch. Also, allow time to learn the software by watching the online tutorials. A little instruction will go a long way to improving your results with this software.
Larry : Every NLE has a titler in it. Why create a stand-alone titler? Travis: We saw that while every NLE has a titling solution, the tool was often, still, 2D and primarily text focused little focus on graphic elements. We saw that as editors become more and more required to do the whole production both rough and finish the demand for them to achieve quality, dynamic graphics in their work was rising. Most editors found themselves looking to motion graphics packages, which were a whole other learning curve and skill set.
In addition, the title tools for these NLEs remained proprietary, limiting graphics sharing between NLE and finish solutions. What we have strived to achieve in Titler Pro is a 3D, animated title solution that is strong on text and supportive graphics, while doing so with idioms that editors know.
We also work to be present on every NLE out there, assuring that an edit can be transferred from rough to finish across solutions, without losing the editability of the title graphics. Travis: The straight answer is every editor! But seriously, any editor who finds themselves also being responsible for the finish edit, complete with titles and graphics, is a candidate for Titler Pro. In particular, shows with heavy lower thirds or messaging can benefit. This, in fact, is really where our multi-title management comes into play.
Through our one interface, an editor can jump between all graphics in their show and edit or confirm the text data and imagery, as well as link multiple title instances to one design. Travis: Programs like After Effects and Motion are great tools.
And they do what they do very well. They are also deep and complex, allowing for very intricate motion graphics work. Our goal is to deliver exceptional titles and graphics for the editor, while respecting their billable hours.
Same with Grass Valley. Travis: A great place to start in Titler Pro is to dive into the rich set of templates that come with the product. There are templates for main titles and for lower thirds, across many aesthetic styles.
To have even more at your fingertips, additional template collections can be found on our website. Another area where Tiler Pro reduces the effort curve is in the rich preset animations and effects we provide.
Rather than keyframing every move we also do keyframing btw it is often most effective to dig into the Transitions Library and drop some Swinging Text, or Bubble Up moves, or Type On effects, etc. To enhance the look, effects like Timed Rotation, Distort, RGB Shift and more can create a unique look — again all presets to play with. Travis: When creating titles from scratch, it is always good to pay attention to these three principles — readability, physicality, and a match between graphics and story.
The fact is that a great font on a poor backing can kill readability, while on the other hand an appropriate backing can give an otherwise of-the-beat font a strong readable presence. It has so much to do with the contrast of space and color to get it right. Even too much contrast black on white can work against readability if the weight and size of the text is off.
If the title is a minimalist design, does it fall over minimalist content behind it? Animation is a key component of Physicality. We have just received a copy of the latest NewBlue Titler Pro 6, and within minutes, had grasped its possibility and cleverness. Here is a quick tutorial from the NewBlue website to give youi an idea. NewBlue, Inc. Titler […].
One of the most misunderstood functions in video editing is that of transparency. I know in my early days I had serious trouble getting my head around it, especially the weird concept of using black […].
This site uses Akismet to reduce spam. Learn how your comment data is processed. Click here to choose a sample from our back issues. They are all FREE! News Ticker. It works in AE, Vegas, Resolve etc. But what IS it and why would you use it? You Betcha!
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